A Sleeping Project

KAORU KODAMA | On 16 November 2016, there were protests on the Auckland waterfront. New Zealand Defence Industry Association’s 19th Defence Industry Forum was planned to take place at the Viaducts Events Centre, however, having one of the world’s largest nuclear arms manufacturer, Lockheed Martin, as its main sponsor, and described by activist organisations as a weapons exposition…

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In conversation with John Young Zerunge

AMY WENG | John Young Zerunge is an Australian-Chinese artist and one of the co-founders and founding president of 4A Centre for Contemporary Asian Art in Sydney. An initiative formed by the Asian Australian Artists’ Association in 1996, 4A has become a leading art institution in Australia, encouraging dialogue on Asian and Australian cultural relations, and…

Te Tiriti o Waitangi – an unmet challenge

AMY WENG | In trying to trace a collective history, I’ve come to the realisation that ours is a lot more incidental- filled with stops and starts- a non-linear digression through over a century and a half of co-habitation, but not necessarily of occupation. Where Asian New Zealanders have a stake in the political and public…

In conversation with Vera Mey

AMY WENG | Vera Mey is an independent curator. The following is a except of a conversation between Mey and HAINAMANA editor Amy Weng. Here, they talk umbrella identities and redefining a position of alterity…

Xin Cheng, found in the Kobe mountains, Japan, 2016

I AM…

XIN CHENG | Early 2015, I performed for MAU/Lemi Ponifasio’s I AM at Aotea Centre as part of the Auckland Arts Festival. It was an intense and transformative experience. For a start, I was grateful for having been included as a volunteer, despite being an amateur to the world of performance (I had only started getting my toes wet…