From Art

Asian New Zealand contemporary art and visual culture

Miss Changy's breakfast event, part of Satellites 2017, served up Kaya toast, Kopi and eggs to the hungry masses. Photo by Julie Zhu

In Conversation with Ruby White aka Miss Changy

Ruby White will be familiar to many as the creative mastermind behind Miss Changy, a food-as-art project that has recently brought some of the most exciting pop-up culinary experiences in Tāmaki Auckland. In late 2017, she opened Small Fry at Te Tuhi, a unique cafe in Pakuranga where everything, from the ceramics to the furniture,…

A view from Nanji-do ecological park, Seoul, Korea, 2015. Photo by Xin Cheng

Mountain Stories

XIN CHENG | The last three months of 2015, I lived on a trash mountain. I thought I was going to an eco-park. The morning after my arrival, I walked out of where I had slept, and discovered a giant dome building, a huge chimney, trucks coming in, and a blinking board of what looked like toxic chemicals with numbers beside them…

Asian NZ Artists Hui

EVENT: Asian New Zealand Artists Hui | Saturday 8 July 2017

E ngā mana, e ngā reo, e ngā karangarangatanga maha, tēnā koutou katoa Hainamana invites you to a hui to discuss the role of Asian New Zealand artists in the field of contemporary art.  Over the past two decades, the emergence of Asia as an economic and cultural epicentre has lead to a re-evaluation of…

Mass grave at Blitar, East Java. Part of the Mass Grave Project, ongoing. Photo by FX Harsono

In conversation with FX Harsono

AISHA JOHAN | FX Harsono is a leading figure within the Indonesian contemporary art scene. Over the past four decades, his work has developed against the backdrop of the rise and fall of the Soeharto regime, through revolution and reformation. On the eve of Jakarta’s election, which have incited simmering racial and religious tensions in the world’s most populous Muslim country, Harsono’s practice resonates with the national search for plurality. Aisha Johan caught up with the artist to talk…

FX Harsono, Pilgrimage to History, 2013

In conversation with FX Harsono (English Translation)

AISHA JOHAN | I am very drawn to one of your works, Pilgrimage to History, 2013. I feel that you are giving a voice to those who no longer have one, from mass grave to mass audience. Could you please tell me more about the work? FX Harsono: In the beginning, I started this project about the genocide and mass grave that I had found out about in Blitar, a city where I was born and raised…

A Sleeping Project

KAORU KODAMA | On 16 November 2016, there were protests on the Auckland waterfront. New Zealand Defence Industry Association’s 19th Defence Industry Forum was planned to take place at the Viaducts Events Centre, however, having one of the world’s largest nuclear arms manufacturer, Lockheed Martin, as its main sponsor, and described by activist organisations as a weapons exposition…

Artist John Young Zerunge. Image courtesy of John Young Studio

In conversation with John Young Zerunge

AMY WENG | John Young Zerunge is an Australian-Chinese artist and one of the co-founders and founding president of 4A Centre for Contemporary Asian Art in Sydney. An initiative formed by the Asian Australian Artists’ Association in 1996, 4A has become a leading art institution in Australia, encouraging dialogue on Asian and Australian cultural relations, and…

Te Tiriti o Waitangi – an unmet challenge

AMY WENG | In trying to trace a collective history, I’ve come to the realisation that ours is a lot more incidental- filled with stops and starts- a non-linear digression through over a century and a half of co-habitation, but not necessarily of occupation. Where Asian New Zealanders have a stake in the political and public…

In conversation with Vera Mey

AMY WENG | Vera Mey is an independent curator. The following is a except of a conversation between Mey and HAINAMANA editor Amy Weng. Here, they talk umbrella identities and redefining a position of alterity…