From Art

Asian New Zealand contemporary art and visual culture

Haegue Yang, The Intermediate – Hairy Tele Digi-Big-Bang Fanned Out, 2018, (detail). Courtesy of the artist. Photo Carl Warner

9 things to see and do this week

AMY WENG | The year of the pig has barely begun with lunar festivities still winding down, yet there’s no sign of rest and relaxation ahead. Here’s our top nine things to do this week to keep the celebrations goings…

Yoko Ono, Add Color Painting (Refugee Boat), 1960/2016-2018. Participatory installation. Dimensions variable. Collection of the artist. Installation view: “Catastrophe and the Power of Art,” Mori art Museum, Tokyo, 2018. Photo: Kioku Keizo. Photo courtesy: Mori Art Museum, Tokyo

The Aestheticization of Catastrophic Art: Capturing the Imagination of Disasters

KAORU KODAMA & RUMEN RACHEV | From the exhibition description of Catastrophe and the Power of Art, currently on show at the Mori Art Museum in Tokyo until 20 January 2019, the text stipulates: Catastrophe and crisis can drive us to despair, yet it is also true that the energy released as we try to recover can simultaneously spark imagination, and boost creative output…

It Follows – TCAC at Enjoy Public Art Gallery, Wellington

DAMP OCEAN | a contemporary art space in Te Whanganui-a-Tara: is it? should it? could it? would it? The exchange show between Taipei Contemporary Art Center (TCAC) and Enjoy Public Art Gallery comes in two parts. A survey opening up the space to the voice of the New Zealand viewer, reworking the questions that stimulated the founding of TCAC here to gauge the voices that are, should, could, would in an unfamiliar space…

GEN M "Generation Migrant" issues #1, #2 and #3, 2018. Photo by Helen Yeung

Radical, Raw and Real: Asian Diaspora Activism through Zine-making

HELEN YEUNG | It starts off with an idea, photocopying, creating, printing and stapling, and finally comes the birth of your very own publication, fit for circulating across the community. With the subculture of zine-making expanding in Aotearoa, these small DIY publications have become an increasingly significant medium for Asians living in diaspora…

Ulaanbaatar City. Photo by Sena Park

Anyoung Haseyo, Sain Baina Uu and Hi! Part 1: Encountering Mongolia

Sena Park is a Paihia-based artist, whose sculptural works explores language through material relationships. Park was selected to take part in the 5th Land Art Mongolia 360o Biennial earlier this year, where she undertook a residency to develop new work. The 2018 edition, titled WHO ARE WE NOW?, and curated by Lewis Biggs, asks: how…

Peter's kitchen, Auckland, New Zealand, 2006. Photo by Xin Cheng

encountering everyday resourcefulness: a drifting assemblage

XIN CHENG | It was in Peter’s kitchen that my eyes opened. A spring day in 2006, I visited Peter in the Auckland suburbs to brew a plan of making Captain Cook’s Manuka Beer (the story was that they improvised with local ingredients after surviving a long journey from England). In his rented flat, beside the cooking stove, I saw vistas of alpine prairies…

Asian Aotearoa Arts Hui organisers Amy Weng, Kerry Ann Lee and Kim Lowe. Photo by Kirsten Ng

A roundtable discussion with Kerry Ann Lee, Kim Lowe & Amy Weng – AAAH2018

AMY WENG | The beginning of September marks the opening of the Asian Aotearoa Arts Hui 2018, and a three-week long celebration of diverse Asian New Zealand creative arts. Ahead of the event, past and present hui organisers Kim Lowe, Amy Weng and Kerry Ann Lee caught up to talk about how the hui has developed, what issues remain unsolved, and what hope this year’s event will bring…

Alfredo and Isabel Aquilizan, From Pillars to Posts: Project Another Country, Auckland Art Gallery Toi o Tāmaki, 2018

In Conversation with Alfredo and Isabel Aquilizan

AISHA JOHAN | Alfredo and Isabel Aquilizan are a husband-and-wife team who emigrated from the Philippines to Australia in 2006. Their artworks often address themes of displacement, change, memory and community. Together they have exhibited at a number of international exhibitions including the 50th International Art Exhibition of la Biennale di Venezia…

Artist unknown, Guest Welcoming Pine. Te Hotu Manawa Marae, Palmerston North. Photo by Tessa Ma'auga

Enhancing mana through visual art

TESSA MA’AUGA | Mana is a significant concept in Aotearoa and the Pacific region. It has often been translated as ‘power’, ‘prestige’, and ‘authority’. Unlike the word ‘power’ though, mana as a concept has more quickly evolved away from associations with ‘domination’, ‘manipulation’ and ‘control’…

Table during the small modifications workshop I ran at Rancho Electronico, including some of the timely floating wholemeal bread. Photo by Xin Cheng

Many Other Worlds are Possible: chance encounters, gathering points, following the sweet potato rhizomes in Mexico City

XIN CHENG | A few days after listening to ‘The Danger of the Single Story’, I headed to the other side of the earth, to join the class Design for the Living World at the Hamburg University of Fine Arts. Quite a change of scenery — yet the questions remain, this time through the lens of ‘solidary societies’, as we prepared for a research residency in Mexico City…