From PERIPHERAL

It Follows – TCAC at Enjoy Public Art Gallery, Wellington

DAMP OCEAN | a contemporary art space in Te Whanganui-a-Tara: is it? should it? could it? would it? The exchange show between Taipei Contemporary Art Center (TCAC) and Enjoy Public Art Gallery comes in two parts. A survey opening up the space to the voice of the New Zealand viewer, reworking the questions that stimulated the founding of TCAC here to gauge the voices that are, should, could, would in an unfamiliar space…

Ulaanbaatar City. Photo by Sena Park

Anyoung Haseyo, Sain Baina Uu and Hi! Part 1: Encountering Mongolia

Sena Park is a Paihia-based artist, whose sculptural works explores language through material relationships. Park was selected to take part in the 5th Land Art Mongolia 360o Biennial earlier this year, where she undertook a residency to develop new work. The 2018 edition, titled WHO ARE WE NOW?, and curated by Lewis Biggs, asks: how…

Alfredo and Isabel Aquilizan, From Pillars to Posts: Project Another Country, Auckland Art Gallery Toi o Tāmaki, 2018

In Conversation with Alfredo and Isabel Aquilizan

AISHA JOHAN | Alfredo and Isabel Aquilizan are a husband-and-wife team who emigrated from the Philippines to Australia in 2006. Their artworks often address themes of displacement, change, memory and community. Together they have exhibited at a number of international exhibitions including the 50th International Art Exhibition of la Biennale di Venezia…

Table during the small modifications workshop I ran at Rancho Electronico, including some of the timely floating wholemeal bread. Photo by Xin Cheng

Many Other Worlds are Possible: chance encounters, gathering points, following the sweet potato rhizomes in Mexico City

XIN CHENG | A few days after listening to ‘The Danger of the Single Story’, I headed to the other side of the earth, to join the class Design for the Living World at the Hamburg University of Fine Arts. Quite a change of scenery — yet the questions remain, this time through the lens of ‘solidary societies’, as we prepared for a research residency in Mexico City…

Eat My Rice by Louie Bretaña at Performance Art Week Aotearoa 2017. Image courtesy of PAWA. Photo by Essi Airisniemi

In Conversation with Louie Bretaña

AMY WENG | Louie Bretaña is a graduate of Elam School of Fine Arts and the College of Fine Arts, University of the Philippines. His work actively challenges Euro-western colonial histories through relational practices, encouraging a respectful engagement with culture via conversation and food…

Fresh Off the Page with Ellison Tan

CHYE-LING HUANG | In July, Fresh Off the page will present Conflict Circle, Singaporean playwright Ellison Tan’s foray into the absurd. With three professional productions under her belt, Ellison’s Conflict Circle challenges the nature of theatre and the futility and absurdity of performance…

Mass grave at Blitar, East Java. Part of the Mass Grave Project, ongoing. Photo by FX Harsono

In conversation with FX Harsono

AISHA JOHAN | FX Harsono is a leading figure within the Indonesian contemporary art scene. Over the past four decades, his work has developed against the backdrop of the rise and fall of the Soeharto regime, through revolution and reformation. On the eve of Jakarta’s election, which have incited simmering racial and religious tensions in the world’s most populous Muslim country, Harsono’s practice resonates with the national search for plurality. Aisha Johan caught up with the artist to talk…

FX Harsono, Pilgrimage to History, 2013

In conversation with FX Harsono (English Translation)

AISHA JOHAN | I am very drawn to one of your works, Pilgrimage to History, 2013. I feel that you are giving a voice to those who no longer have one, from mass grave to mass audience. Could you please tell me more about the work? FX Harsono: In the beginning, I started this project about the genocide and mass grave that I had found out about in Blitar, a city where I was born and raised…

Artist John Young Zerunge. Image courtesy of John Young Studio

In conversation with John Young Zerunge

AMY WENG | John Young Zerunge is an Australian-Chinese artist and one of the co-founders and founding president of 4A Centre for Contemporary Asian Art in Sydney. An initiative formed by the Asian Australian Artists’ Association in 1996, 4A has become a leading art institution in Australia, encouraging dialogue on Asian and Australian cultural relations, and…